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The Dragon’s Gift: The Sacred Arts of Bhutan opened on Friday, September 19, 2008, and remained on view through January 5, 2009.
The occasion is the opening of the first comprehensive exhibition of Bhutanese sacred art in the continental United States at the Rubin Museum of Art (RMA), the
foremost museum in the West for the study and display of the art of the Himalayas and surrounding regions.
Wedged between India and China, Bhutan is one of the most remote places on earth. “Because Bhutan is unique among its Himalayan neighbors for never having been conquered, invaded, or colonized, its treasures have resided, largely intact, in the monastic settings for which they were created,” says Martin Brauen, the new Chief Curator of RMA. “This exhibition is therefore a rare opportunity to explore an entire ethos untouched by the modern world.” Ramon Prats, Senior Curator of RMA, who is responsible for the New York presentation, said, “RMA is especially pleased to provide a showcase on the East Coast for these rare objects, which are as valued for their function within a living spiritual tradition as for their considerable visual beauty.”
The Dragon’s Gift comprises 87 works of art, including intricate paintings and images created using appliqué and embroidery framed in brocade, called thangkas; gilt bronze and wooden sculptures; and ritual objects ranging in date from the 8th to the 20th century, with especially strong examples from the 17th through the 19th century. Because most of the works of art come from active temples, where they still serve as consecrated objects, Buddhist monks will remain in residence at RMA during the period of the exhibition, performing the necessary ritual observances.
Channels: Asian ArtExhibitions
Artists: Lama Karma Tenzin
Themes: Materials and Process
Lama Karma Tenzin created a sand mandala in the theater gallery of the Rubin Museum of Art in NYC. The mandala took over two weeks to create out of millions of grains of crushed marble and under two minutes to destroy. Lama Karma visited the Rubin Museum of Art in conjunction with The Dragon's Gift - The Sacred Arts of Bhutan exhibition.
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What took over two weeks to complete in New York City only took merely seconds to destroy. This ocncept is extremely hard to grasp. Hw can something done with so much heart and effort be destroyed in the blink of an eye? I believe that the meaning behind this work of art goes beyond the fanciful colors and brilliant patterns. In fact, I think that this Sand Mandala created by Mr. Tenzin is being used as a teachin model. A teaching model to the affect that all things that have come and settled with so much welcoming will eventually be replaced with something new. Something that is more advanced and perhaps a blessing to the society. The main symbolism of this piece is to relay the message that all things of the present will soon fade and not easily, but eventually welcoming new and better things to come.
I have family currently living in the southwest and I've seen dozen of
Hopi & Navajo sandpaintings. I am STILL amazed at the level of patience and craftsmanship it takes to do this type of ARTwork.
Although the art was beautiful, it was destroyed within seconds. Many ask why someone would create a piece that takes two weeks just to destroy it. However, we cannot judge this piece from western standards. I believe that it shows the cycle of life. It takes years for people to grow, develop, and learn, even to fully live life, and it only takes an instant to die and for it all to be gone. Overall, after it is all said and done, all things will pass away and new things will take the place of things passed.
The manner of creating and "taking down" floor art of India is also similar, be it Rangoli or Kolam.
Enjoyed the video, thanks.
The concept is similar to the floor "drawings", as designs in that adorn front porches in traditional India in the form of "Kolams" in Southern India and "Rangoli", a popular colorful rendering in color.
Chitra Ramanathan, artist-painter, art educator
Website: http://www.chitraramanathan.com
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