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During the 1960s and 1970s, a number of Southern California artists—inspired by the local physical, social, and technological environments—experimented with perceptual and phenomenological concerns. Often grouped as “light and space” and “finish fetish” artists, their work utilized high-tech materials, particularly plastics, resins, and coated glass.
Untitled by Robert Irwin, 1970
Sculpture, Cast acrylic
LACMA
Los Angeles County Museum of Art CEO and Wallis Annenberg Director Michael Govan interviews artist Robert Irwin.
irwin and Govan
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