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Brice Marden continues to make some of the most surprising and ravishing paintings of our time. In the 1960s and 1970s, he was known for matte, monochromatic paintings, often with multiple panels. His 1984 visit to an exhibition of Japanese calligraphy triggered a dramatic shift in style that culminated in a masterful series of gestural paintings and drawings entitled Cold Mountain. Since that time, through several further changes in vocabulary, Marden has continued to explore linear networks as the basis for ambitious, allover abstractions. In this video, recorded in October 2009 in the artist's Manhattan studio, Marden discusses his technique, sources of inspiration, and works in progress with Harry Cooper, curator and head of modern and contemporary art, National Gallery of Art.

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