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Urban morphology is the study of the form of human settlements and the process of their formation and transformation. The study seeks to understand the spatial structure and character of a metropolitan area, city, town or village by examining the patterns of its component parts and the process of its development. This can involve the analysis of physical structures at different scales as well as patterns of movement, land use, ownership or control and occupation. Typically, analysis of physical form focuses on street pattern, lot (or, in the UK, plot) pattern and building pattern, sometimes referred to collectively as urban grain. Analysis of specific settlements is usually undertaken using cartographic sources and the process of development is deduced from comparison of historic maps.
Special attention is given to how the physical form of a city changes over time and to how different cities compare to each other. Another significant part of this subfield deals with the study of the social forms which are expressed in the physical layout of a city and conversely, how physical form produces or reproduces various social forms.
Channels: ArchitectureContemporary ArtPhotographyTalks
Artists: Catherine OpieDoug Aitken
Director of Critical Studies and MA/PhD programs in UCLA’s Department of Architecture and Urban Design, Sylvia Lavin engages artists, architects, and curators in a series of lively discussions on how cities are increasingly molded by images rather than buildings; on whether art and architecture are converging to form an integrated type of cultural consumption; and if the concept of the masterpiece has finally been destroyed by the sheer quantity of global design production. Catherine Opie is engaged in issues of documentary photography and in how aspects of identity and collective behaviors are shaped by architecture. A Professor of Photography at UCLA, Opie was featured in a solo exhibition at the Guggenheim Museum in New York in 2008. Widely known for innovative installations such as Sleepwalkers, presented at the Museum of Modern Art, New York, in 2007, Doug Aitken utilizes a wide array of media and artistic approaches, leading us into a world where time, space, and memory are fluid concepts.
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