Conversations on Urban China: Hou Hanru & Qingyun Ma

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Urban China at the Hammer Museum
0:01:03
Urban China: Informal Cities is an exhibition that explores the dynamic and innovative content of Urban China, the only magazine published in China devoted to issues of urbanism. The magazine’s global, cross-disciplinary network of correspondents and collaborators merge rigorous methods of data collection and analysis of rapidly developing cities in China with witty graphic representations of their findings.

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Olympics: Child singer revealed as fake
0:04:00
When nine-year-old Lin Miaoke launched into Ode to the Motherland at the Olympic opening ceremony, she became an instant star. "Tiny singer wins heart of nation," China Daily sighed; "Little girl sings, impresses the world," gushed another headline, perhaps in reference to Lin's appearance on the front of the New York Times. Countless articles lauded the girl in the red dress who "lent her voice" to the occasion.

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Milli Vanilli
0:04:04
Milli Vanilli was a pop/dance music project formed by Frank Farian in Germany in 1988, fronted by Fab Morvan and Rob Pilatus. The group's debut album achieved high sales internationally which earned them a Grammy Award for Best New Artist in 1990. The act became one of the most popular pop acts in the late 1980s and early 1990s. However, their success turned to infamy when their Grammy was revoked after it was revealed that the actual vocals on the record were not the voices of Morvan and Pilatus.

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Beijing Olympics Architecture
0:04:28
“As important as the Olympic games are, the legacy is after the games,” says Dennis Pieprz, president of Sasaki Associates. Sasaki’s Olympic Green has focused on Beijing’s long-term development and the facilities, including the 680 hectares of park, will be integrated into day-to-day life for use by Beijing residents and tourists post-games. The 360,000 square meters of apartment living in the Olympic Village will also be sold as commercial housing after the Games.

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O. Zhang's Daddy and I Series
0:08:29
"...this project reflects my interest in the change of the power relationship between East and West. I am curious about how the West sees the rapid development of contemporary China. The growing girls symbolize the future potential of China. Like the girls adapting to their new situation, China is learning from the West to grow its economy. Is its emergence from regional power to global economic force a change that will be accepted and encouraged? Or will it be seen as a rebellion against the rules that the West has established for others to follow?"

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Ordos 100
0:10:07
The scope of the project is to Develop 100 hundred villas in Ordos, Inner Mongolia, China, for the Client, Jiang Yuan Water Engineering Ltd. FAKE Design, Ai Wei Wei studio in Beijing, has developed the masterplan for the 100 parcels of land and will curate the project, while Herzog and de Meuron have selected the 100 architects to participate. The collection of 100 Architects hail from 27 countries around the globe. The project has been divided into 2 phases. The first phase is the development of 28 parcels while the second phase will develop the remaining 72.

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Ai Weiwei
0:10:51
Ai Weiwei's website.

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Lessons from Bernard Rudofsky
0:10:59
Bernard Rudofsky (Austrian-American, 1905–1988) was an architect, curator, critic, exhibition designer, and fashion designer whose entire oeuvre was influenced by his lifelong interest in concepts about the body and the use of our senses. He is best known for his controversial exhibitions and accompanying catalogs, including Are Clothes Modern? (Museum of Modern Art [MoMA], 1944), Architecture without Architects (MoMA, 1964), and Now I Lay Me Down to Eat (Cooper-Hewitt Museum, 1980). He was also famous for his mid-20th-century Bernardo sandal designs, which are popular again today.

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Ningbo Historic Museum
0:11:10
Iwan Baan shared with us one of the latest works he photographed, the Ningbo Historic Museum designed by Wang Shu, Amateur Architecture Studio.

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Chinese pavilion
0:17:52
Chinese Pavilions (Chinese 亭, pinyin tíng) are covered structures without surrounding walls and are a traditional part of Chinese architecture. While often found within temples, pavilions are not exclusively religious structures. Many Chinese parks and gardens feature pavilions to provide shade and a place to rest.

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"Nail house"
0:19:52
A nail house (dingzihu or 钉子户) is a Chinese neologism for homes belonging to people (sometimes called "stubborn nails") who refuse to make room for development, often in an attempt to negotiate a high price in exchange for selling out. The term, a pun coined by developers, refers to nails that are stuck in wood, and cannot be pounded down with a hammer.

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Pace of gentrification must be balanced
0:26:40
It is hard to understand why people complain of improved living standards. But until one goes through it, one tends to think in hypothetical terms. In the 1980s, I dreamed of a Chinese metropolis adorned with air-conditioned shopping malls and grand hotels with even grander lobbies. Whenever I walked through a residential district with street peddlers and littered sidewalks, I would say to myself: Someday this will change and it'll be immaculate. This day is arriving faster than I imagined.

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Urban village
0:27:37
Urban villages (Chinese: 城中村; pinyin: Chéng Zhōng Cūn; literally:"village in city") are a unique phenomenon that formed part of China’s urbanization efforts. The villages appear on both the outskirts and the downtown segments of major cities, including Beijing, Shenzhen and Guangzhou. They are surrounded by skyscrapers, transportation infrastructures, and other modern urban constructions.

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Architecture of the Song Dynasty
0:34:38
The architecture of the Song Dynasty (960-1279) built upon the accomplishments of its predecessors, much like the subsequent dynastic periods of China. The hallmarks of Chinese architecture during the Song period were; its towering Buddhist pagodas, enormous stone and wooden bridges, its lavish tombs, and palatial architecture. Although literary works on architecture existed beforehand, during the Song Dynasty it blossomed into maturity and represents a more professional outlook, described dimensions and working materials in a concise, more organized manner.

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Architecture Profile: Mada Spam, Shanghai
0:45:06
W*: Which do you think are the biggest challenges contemporary Chinese architects have to face? QM: It is trying to find what we/Chinese architects or architects, who work in China, would do to depart from the current way of design and build buildings. This window of opportunity is maybe ten years.

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Shenzhen
0:52:09
Shenzhen (Chinese: 深圳市) is a city of sub-provincial administrative status in southern China's Guangdong province, situated immediately north of Hong Kong. Owing to China's economic liberalization under the policies of reformist leader Deng Xiaoping, the area became China's first—and arguably one of the most successful—Special Economic Zones.

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Director of Critical Studies and MA/PhD programs in UCLA’s Department of Architecture and Urban Design, Sylvia Lavin engages artists, architects, and curators in a series of lively discussions on how cities are increasingly molded by images rather than buildings; on whether art and architecture are converging to form an integrated type of cultural consumption; and if the concept of the masterpiece has finally been destroyed by the sheer quantity of global design production. An art critic and international curator, Hou Hanru is also the director of exhibitions and public programs at the San Francisco Art Institute. Recent curatorial projects include the 10th Istanbul Biennial and Trans(ient) City, 2007. Qingyun Ma is principal of the Shanghai-based design firm s.p.a.m., established in 1996. Since 2007 Ma has also served as dean of the USC School of Architecture, where he has enhanced the program by developing a number of global initiatives.

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