Dalí in Rotterdam

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A.M. Hammacher (1897-2002)
0:00:26
A.M. (Bram) Hammacher began his career as art critic at the Utrechts Dagbald [Utrecht Daily]. He published countless articles and books, both about individual artists (incl. Van Gogh and Mondriaan) and about movements in modern art. He was particularly interested in the artistic personality of the artist and his motives.

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Sarah Bernard
0:02:37
Sarah Bernhard is de grootste legende uit de Franse theatergeschiedenis. Zij had een Nederlandse moeder, Julie Bernardt, en een vader van onbekende nationaliteit. Om van Franse afkomst te lijken, haalde zij de ‘t’ van haar naam. Het meest bekend was Sarah Bernards vertolking in La Dame aux Camélias van Alexandre Dumas. In 1912 speelde ze de hoofdrol in de film La Reine Elizabeth die een wereldwijd succes was en in Amerika werd uitgebracht als Queen Elizabeth. Met haar tegenspeler in deze film, de 37 jaar jongere Nederlandse acteur Lou Tellegen, had Bernhard een relatie.

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I greet you...
0:03:00
In French, with his Spanish accent, Dalí says: Je te salue Je t'embrasse Je t'embrasse ta tache Dans l'oreille gauche Qu'est la même de la Gala I greet you I embrace you I embrace your mole In your left ear Which is the same as that of Gala

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Coffee and cake
0:04:23
When the exhibition closed, recalls Renilde Hammacher in an e-mail, she received an official invitation from the Rotterdam Shopkeepers’ Association. She was offered coffee and cake and the chairman congratulated her for the exhibition and the Association with the side-effects of the endless queues at the door.

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Gala
0:05:00
Salvador Dalí met his wife Gala when she was still married to the poet Paul Eluard. The latter would often lend her out to his surrealistic friends, simply because he was so proud of her. Before meeting Dalí, Gala had a three-cornered relationship with Eluard and the painter Max Ernst. This time, however, Eluard lost Gala for good. According to Dalí, Gala prevented him from going mad. ‘Because she has absorbed my madness.’ Gala was Dalí’s muse, and she remained that for more than 50 years, until her death in 1982.

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Hand kiss
0:05:17
Renilde Hummacher tells of the arrival of the artist in an e-mail: “Dalí was standing in the hall of the Museum, his wife Gala next to him. Both were greeted by the Director (and myself), surrounded by an enormous crowd of spectactors. Suddenly, unexpectedly, a young man (an artist) wormed his way through the crowd to Dalí, knelt before him and kissed him reverently on the hand. An emotional moment! But the Master accepted this exceptional homage with pleasure! There is a photograph of this moment in the archives.” The photo was, as you can see, used in the editing.

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Edward James
0:05:45
Edward James (1907-1984) was born on the West Dean estate in Sussex. He was the youngest of Evelyn Forbes’s five children and her only son. Evelyn Forbes was the illegitimate daughter of the Prince of Wales and a society beauty who, according to her son, didn’t really like children very much. The father of Edward James, William Dodge James, earned fortunes in the wood industry and the American railway, but was always away travelling.

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Acquisition policy
0:06:00
In a policy paper dated 17 February 1970, Renilde Hammacher gave a number of arguments for her priority, surrealism. The movement is poorly represented in the Netherlands; there are a number of affordable masterpieces available; surrealism lives on in Pop Art and the new realistic movements and has, furthermore, a basis in the collection of old masters.

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Channels: Surrealism
Artists: Salvador Dalí

In the cold winter of 1970-1971, visitors arrived from near and far. They stood shivering outside the museum in long queues, waiting for the doors to open. And to finally see what they had come for: the paintings of Salvador Dalí. In total, there were 200,000 visitors. The Dutch Polygoon Newsreel made a programme about it. Renilde Hammacher-van de Brande, the very first head curator of modern art at Museum Boijmans van Beuningen, organised the successful Dalí exhibition. Renilde has since reached an age that has been classified a state secret, or at least Boijmans secret no.1. She does, however, remember the moment as if it were only yesterday when she sat on the sofa next to the legendary surrealist master.

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