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Channels: American ArtContemporary ArtGraphic Design
Artists: Laylah Ali
Themes: CommunityMaterials and Process
Exclusive Episode #060: Artist Laylah Ali and graphic designer Nicole Parente work together in the designer's home office in Cambridge, MA. The artist's hand-drawn notes are transformed into precise digital illustrations otherwise impossible without a computer.
Laylah Ali creates gouache-on-paper paintings that take her many months to complete. Ali meticulously plots out in advance every aspect of her work, from subject matter to choice of color, achieving a high level of emotional tension in her paintings as a result of juxtaposing brightly colored scenes with dark, often violent subject matter. In style, her paintings resemble comic-book serials, but they also contain stylistic references to hieroglyphics and American folk-art traditions.
Learn more about Laylah Ali: http://www.art21.org/artists/laylah-ali
VIDEO | Producer: Wesley Miller & Nick Ravich. Interview: Susan Dowling. Camera & Sound: Ken Willinger and Bob Freeman. Editor: Jenny Chiurco. Artwork Courtesy: Laylah Ali. Special Thanks: Nicole Parente.
I am a graphic designer. I work pretty closely with my clients to get exactly what they want out of their printed piece or their web piece
but working with an artist is certainly different. And this one it would mean increasing the pink. What is different about working with Layla? She is very, she is much, she is a perfectionist in that I mean she needs to be and she knows exactly what she wants
and to work through me to get that is sometimes you know time consuming. This tooth bring in from the right smoosh it in this way.
The last one, this one, yes so it gets just needs smaller trimmed. Right. Okay lets have this meet somehow or.
I don’t even see them as characters. When you get that close, I see green shape you know, or red, you know red hands, manipulating hands as I always use the hand.
I don’t see them as a whole until we zoom out or I don't even seen them as a whole until after they are printed or you see them finalized. That size there. I don't know how that's going to work.
I am shocked that I was able to get that precision out of a computer and it’s pretty amazing. We learned a lot by working on the first book we did together.
About shapes of things and how to matte in an eye or you know how to stripe a suite. The learning curve is certainly there,
but we've gotten to a place where it’s a lot easier now and I have gotten better at the program.
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